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Sri
Dalada Maligawa
By: Neranjan Wijeyeratne
(Diyawadana Nilame)
Kandy
with its salubrious climes and the fascinating scenery’s,
is a beautiful city, unique and unmatched. It was the capital
of the Singhalese Kings form 1592 to
1815 when they reigned supreme, fortified by the terrain of
the mountains and the difficult approach. The Temple of the
Sacred Tooth Relic, popularly known as the Sri Dalda Maligawa
is located in this beautiful city and was built within the
royal palace complex itself which housed the Buddha's only
surviving Tooth Relic, the hallowed object of veneration for
the Buddhists the world over. It is needless to speak much
about this city, but suffice to mention that it is a world
heritage site declared by UNESCO.
This
Sacred Relic has a long and unbroken history spanning over
two and half millennia. When Buddha passed away, His body
was cremated in a sand a I wood pyre at Kusinara in India
and His left canine tooth was retrieved from the funeral pyre
by Arahat Khema who handed it over to King Brahmadatte for
veneration. Ever since then it became a royal possession and
there grew up a belief that whoever who possessed the Sacred
Tooth Relic had a divine right to rule the country. Thus there
were wars to take possession of the Relic and finally when
it was in the possession of King Guhasiva of Kalinga, fearing
that his enemies would snatch it, he secretly sent the Sacred
Tooth Relic to Sri Lanka through his daughter Princess Hemamali
and her husband Danthakumara.
Having
placed the Sacred Relic in a golden casket embedded with gems
and after hiding it in her hair ornament, the royal couple
disguised themselves as Brahamins and set sail in a ship which
after facing the hazards of sea travel in those by-gone days,
finally arrived in Sri Lanka when King Kirti Sri Megavanna
(301- 328) was ruling this splendid island. The King was overjoyed
when he heard the news and warmly welcomed the Royal Couple
and received the Sacred Tooth Relic with great veneration.
He built a beautiful palace within the Royal Palace Complex
itself and enshrined the Relic in it. Thereafter, he ordered
that and annual perahera be held in honour of the Sacred Relic.
As time went on and being threatened with foreign invasions,
the Kingdom was shifted from Anuradhapura
to polonnaruwa and thereafter to Dambadernya and other cities.
With every change of capital, a new palace was built to enshrine
the Relic. Finally, it was brought to Andy where it is at
present. During the annals of its long history, the Sacred
Tooth Relic came to be regarded as a symbolic representation
of the
living Buddha and it is on this basis that there grew up a
series of offerings, rituals and ceremonies. These are conducted
under the supervision of the two
Mahanayake Theros of Malwatte and Asgiriya Chapters and the
Diyawadana Nilame of the Maligawa. They have a hierarchy of
officials and temple functionaries to' perform these services
and rituals.
There
is daily in the inner chamber a ritual worship conducted by
the monks of the two chapters of Malwatte and Asgiriya undertaken
in rotation annually. They conduct these services thrice a
day, at dawn, at noon and in the evening.
On
every Wednesday, there is a symbolic bathing of the Sacred
Relic with a herbal preparation made form scented water and
flagrant flowers, called Nanumura Mangallaya. This holy water
is believed to contain healing powers and is distributed among
those present.
Ceremonies
There
are special religious programs conducted in the Maligawa on
every Full Moon Poya day where large numbers
participate. Apart from these daily, weekly and monthly ceremonies,
there are four major ceremonies held every year. They are;
(a)
Aluth Sahal Mangailaya;
(b) Avurudu Mangallaya;
(c) AsalaMa ngallaya; and
(d) Karthika Mangallaya.
Of
these the most important is the Asala Mangallaya. Asala, according
to the Sinhalese Calendar, is the month of July/ August This
is the months in which Kandy gets into a festive mood. Shop-keepers
and hoteliers pile up their stock to
cater to the massive crowds that throng the city. Maligawa
and its premises are gaily decorated and are illuminated with
strings of lights, including the esplanade.
These
lights burn throughout the night. A few days before the Perahera,
A Kapa, a sapling from a tree that sheds milky juice is erected
in each of the four
Devales. On the 5th day, The Kumbal Perahera begins and goes
on for 10 consecutive nights when the sacred relic casket
is taken round the streets of Kandy accompanied by exotically
costumed dancers and drummers.
These
dance forms vary. The most popular dance froms are the Ves,
Udekki, Pantheru, Naiyandi, Hewisi, Savang and Leekeli and
the dancers with years of experience reveal their dexterity
in the performance of their respective dances.
The
most colorful Perahera is last Randoli Perahera which falls
on the Asala Full Moon Poya day. On this day, at the auspicious
time the Perahera starts. The Diyawadana Nilame in full traditional
Kandyan dress will enter the inner chamber to receive the
Perahera Karanduwa containing the Buddha Relics. The Mahanayake
Thero will place the relics casket on the velvet cloth clonintricately
embroidered with gold and silver, held by both hands by the
Nilame. As he steps out of the chamber bearing the relics
casket, the crowd with one heart and one voice starts chanting
sadhu, sadhu, sadhu and the chorus will go on while the mini
perahera begins. A red and yellow floor spread (pavada) embroidered
with appliqués of different hues is laid before him,
and two Temple functionaries will start strewing jasmine flowers
on it while the Diyawadana Nilame, carrying the casket, will
slowly tread over the pavada. In front of him two hand torches
are held by bearers while the kavikaramaduwa sing songs in
praise of the Dalada. The Nilame walks past the udamale and
begin to descend the wooden staircase and go past the digge
and ambarawa and finally arrives the place where the tusker
is waiting to carry the casket.
The
casket containing the Buddha Relics is always carried by a
tusker decorated with a is magnificent dress embedded with
colored bulbs and generally looks more colorful then the other
caparisoned elephants numbering over 75 who take part in the
Perahera. The decorated ransivige is placed on the back of
this tusker and the relics casket is placed inside it on,
a velvet cushion, by the Nilame. After the Nilame and the
Mahanayake Thero strew jasmine flowers on the casket the tusker
arrives at the wahalkada followed by the Nilame.
The
Perahera proper begins as the canon booms. Leading the n Perahera
is the band of whip crackers who crack their whips in rhythmic
pattern announcing it that the Perahera is on. Immediately
following are two o flag bearers carrying the two flags of
the Sathara Korale (known as Ira Kodiya) embossed with the
symbols of the sun and the moon indicating the wish that this
Perahera be held until the sun and the moon last. Next comes
the peramunerala, attired in the traditional white dress and
riding a caparisoned elephant and carrying the sannasa, the
royal charter to hold the Perahera. Following him is the Gajanayake,
A the Maligawa official in charge of the elephants, elegantly
dressed in traditional Kandyan dress carrying the ankusaya
the instrument by which elephants are controlled.
The
crowd is impatiently waiting to get a glimpse of the tusker
carrying the relics casket. It's a wonderful sight to see
the tusker r dressed in a decorated costume and brilliantly
illuminated bearing the ransivige in which the Perahera Karandawa
rests on n velvet cushion, with garlands of jasmine flowers
hanging dangling above it and strings of lights flickering
all the time, tread over the pavada in easured steps under
the canopy held over the ransivie by 16 able bodied men with
poles and strings. As the karanduwa passes by, the crowd,
stand up and with their hands clasped together chanting sadhu,
sadhu, sadhu thereby paying their homage to the Sacred Tooth
Relic.
The
focus of the crowd then moves towards the Diyawadana Nilarne
who, attired in his traditional Kandyan constume, slowly walks
by under a large e embroidered umbrella held by a Vidane of
the Maligawa and e flanked by two troupes of Ves
dancers whose performance is a lovely sight to see.
Over
75 caparisoned elephants, 1000s of dancers and drummers, hundreds
of flag bearers and torchbearers take part in each of the
Peraheras. The Maligawa Perahera is followed by the Devala
Peraheras in the order of Natha, Vishnu, Kataragama and Pattini
under the direction of the respective Basnayake Nilames,
who in their traditional Kandy an costumes, take part in the
Perahera.
After
the day perahera, it is e customary for the Diyawadana Nilarne
and the Basnayake Nilames of the four devalas to report to
Her Excellency the' President that the Perahera was satisfactorily
Conducted.
As
the Perahera draws to an end, the onlooker is apt to conclude
that it is nothing but sheer ingenuity of the Bliddhists from
ancient times to have organized the country's talents in arts
and g crafts including drumming and dancing into a cultural
pageant of such magnitude and offer it to '" the Sacred
Tooth Relic of Lord
Buddha as a form of veneration.
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